Friday, 20 November 2009

Process of Storyboarding

To begin the process of storyboarding we assigned different people to write out the different shots..

We talked further about props and locations in order to include this information on the storyboard.

It is important to produce a two and a half minute sequence of a Horror or Thriller for part of our coursework.

Within my group there are four of us, myself, Storm Webster, Tom Cunningham and Stephanie Kufferath.

To start with we wrote down the list of shots, and then transferred this onto the storyboard template while adding in the location, action, the shot type and movement within the shot, the sound, the lighting, the edit transition and the timing.

After we typed all of this onto the template in order, Stephanie, the storyboard artist drew the pictures to go with the writing.

Myself, being the producer, had to make sure this was done accurately in order for it to run smoothly on the day of shooting and thereafter for editing. however, we have discussed as a group and decided that the editing may be slightly different to the storyboard in order to make the sequence look better.

The storyboard provides instructions to the sound and camera crew and helps the director to organise the scene.

These are the shots and action of the sequence:

1. The gate is closed and we see a car arriving and stopping in front of the gate

2. Tom goes out to open the gate and then drives through it (when the leaves blow up they from 'Milano Production Presents')

3. Shot out of one of the windows in the house seeing the car arriving (we see the breath on the window and then a 'A Storm Cunningham Film' is written in there

4. POV shot of Tom looking at the house

5. Shot from in front of the house watching Tom get out of the car and starting to walk towards the house.

6. Track shot of Tom walking up to the front door.

7. Close Up of Tom's face looking around anxiously (next to him a door sign saying 'featuring Tom Mison and Alabama Jackson)

8. Extreme Close Up of Tom looking through the window

9. Mid Shot of Tom hearing humming.

10. Shot of the lights flashing behind the door

11. Mid shot of Tom walking down the front door stairs which ends in a long shot

12. Camera sits in the back of the car and sees Tom enter back into the car

13. Camera zooms into Tom's eyes and the flashbacks begin

14. Fast cut from long shot to Extreme Close Up of the masks on the children (cold breath comes out 'Produced by Amy Milan')

15. Cut to Tom

16. Shot of Tom stitching the masks (sticking stuff builds 'Directed by Storm Webster and Stephanie Mareen')

17. Cut to Tom

18. Bloody hands writing 'Edited by Tom Cunningham'

19. Zoom out of Tom's eye

20. Shot out of the window of the house seeing the car reverse

21. Close up of Tom changing gear stick into drive

22. Close up of Tom

23. Camera in the backseat of the car looking through windscreen POV of child watching car leave

24. Drives fast and the front lights hit a child

25. POV shot of child looking at the front lights of the car

26. Extreme Close Up of Tom blinking

27. POV shot of Tom and the kid is gone

28. Shot through the windscreen on the backseat is a child

29. Close Up of the child – breath coming out of child to present the title.

1 comment:

  1. Reasonable as far as you have gone here. You do need to refer to the handout and include your Treatment and strory boards for the work.
    You also need to consider Audience and to evaluate every process that you go through. When Matt and Luke came in to help you with your ideas you need to evaluate the changes they suggested and the adaptations that you included.

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